The God of marriage in Greek mythology, Hymen appears in the final act of Shakespeare’s As You Like It. He restores order and happiness and ensures that love triumphs at the end of the play.

Origins of Hymen

Hymen, Hymenaios or Hymenaeus is the Greek God of marriage. He is sometimes described as the son of a Muse (Calliope, Cleo or Urania) and Apollo, or alternately of Dionysus (god of wine) and Aphrodite (goddess of love).

There are varying stories about why Hymen is associated with marriage – one is that he was an accomplished musician who sang at the wedding of Dionysus and Ariadne and died. To perpetuate his memory, they decided it should be brought into every wedding ceremony.

According to another story, Hymen was an Athenian of humble origins and so beautiful that he was often mistaken for a girl. He fell in love with a high-born young woman and followed her and her companions around. One day some pirates captured all the girls and also Hymen, believing him to be female. The pirates sailed to a deserted beach with their captives, then fell asleep. Hymen killed them all, then went to Athens and offered to return the young women if he could marry the object of his affection. His terms were accepted and as a result his name became a token of good luck at every wedding.

Hymen is supposed to attend every wedding. If he did not, the marriage would supposedly prove disastrous and so the guests would call his name aloud. He is associated with a torch, a crown of flowers and a flute.

A crowd of people dance in a circle before a giant puppet.
As You Like It in the Royal Shakespeare Theatre in 2019, directed by Kimberley Sykes, with set design by Stephen Brimson Lewis and costumes by Bretta Gerecke.
Photo by Topher McGrillis © RSC Browse and license our images

Hymen’s role in As You Like It

Hymen enters at the end of Shakespeare’s play, bringing together all the couples who have been separated and lost in the Forest of Arden. He says:

Peace, ho! I bar confusion.
’Tis I must make conclusion
Of these most strange events.
Here’s eight that must take hands
To join in Hymen’s bands,

He then speaks directly to the four couples:

To Rosalind and Orlando.
You and you no cross shall part.
To Celia and Oliver.
You and you are heart in heart.
To Phoebe.
You to his love must accord
Or have a woman to your lord.
To Audrey and Touchstone.
You and you are sure together
As the winter to foul weather.

As Hymen only enters at the end of the play, the role is generally taken by an actor playing another part - often the role of Corin. In our 2019 production, Hymen was played by a giant puppet, whose arms spanned the width of the Royal Shakespeare Theatre stage as they brought the four couples together. The puppet was designed by puppeteer Mervyn Millar and made in our Stratford-upon-Avon workshops.

Hymen only appears as a character in As You Like It, but he gets a mentioned in a further six of Shakespeare’s plays: Hamlet, The Tempest, Much Ado About Nothing, Titus Andronicus, Pericles and Timon of Athens.

The puppet Hymen from our 2019 production of As You Like It, created by Mervyn Millar.

 

 

Four couples kneel in the four corners in the stage while in the centre a man wearing antlers holds his arms out
Robin Soans as Hymen in our 2013 production, directed by Maria Aberg and designed by Naomi Dawson.
Photo by Keith Pattison © RSC Browse and license our images

Did Shakespeare's audiences understand his classical references?

It's hard to know exactly what Shakespeare's audiences knew and understood, particularly those who couldn't read and write, but still came to the theatre. But many would have understood the Greek and Roman references to his plays because, like Shakespeare himself, many of the men of his class had a good grammar school education, and that meant an education in the classics, in Latin and Greek and the cultures surrounding both ancient languages.

Jonathan Bate on How the Classics Made Shakespeare

"Latin was the absolute core of the Elizabethan schoolroom curriculum. Grammar school meant Latin grammar, morning, noon and night. The history, literature, thought and culture of ancient Rome — and, to a lesser extent, Greece — was everywhere in education, in the Elizabethan frame of mind, even, I suggest, in the architecture and iconography of the city of London. The theatres themselves were designed on Roman models. This meant that anyone who was literate, and probably quite a few citizens who were not, would have known what Shakespeare was talking about when one of his characters mentioned Hercules or Julius Caesar or Lucrece or Adonis or Actaeon or Alcibiades and a hundred others."

Man in long sheepskin coat holding a black umbrella and standing in a cart being pulled by a person dressed as a goat
Geoffrey Freshwater as Hymen in the 2009 production of As You Like It, directed by Michael Boyd and designed by Tom Piper.
Photo by Ellie Kurttz © RSC Browse and license our images

For more about classical Greek and Roman allusions in Shakespeare's work, see Jonathan Bate's book How the Classics Made Shakespeare.

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