Radical theatre maker, the RSC’s first female director and founder of The Other Place, discover the incredible legacy of Buzz Goodbody.

Buzz Goodbody was the RSC's first female director since the company was founded in 1961, and founder of The Other Place theatre
Photo by Michael Ward © The artist Browse and license our images

Mary Ann 'Buzz' Goodbody was born in Marylebone, London, in 1946, and was known throughout her life by her childhood nickname, reflecting her unquenchable spirit and energy. She was educated at the Roedean girls' school, and soon began showing her rebellious nature, joining the Communist party at age 15.

She studied at Sussex University, where she staged and directed multiple highly regarded productions. This included her adaptation of Dostoyevsky's Notes from the Underground, which won an award at the National Student Drama Festival and was staged at the Garrick Theatre in the West End.

JOINING THE RSC

Having attracted RSC Co-Founder and Director John Barton's attention, in 1967, Goodbody joined the Royal Shakespeare Company as his assistant. Alongside her work with Barton, she also served as a dramaturg for Terry Hands. She officially became an Assistant Director in 1969, the RSC's first female director (perhaps even the UK's first salaried female director).

She directed multiple Shakespeare productions at the Royal Shakespeare Theatre, as well as radical new works, including Trevor Griffiths' Occupations and the controversial play The Oz Trial both in 1971 at The Place in London.

In 1973, Goodbody directed a feminist, modern-dress production of As You Like It at the Royal Shakespeare Theatre. Featuring a rock and roll score and metallic trees, understudy David Suchet ended up taking the role of Orlando opposite Eileen Atkins’ Rosalind after the original actor cast injured his back.

FOUNDING THE OTHER PLACE

When Goodbody joined the RSC, the company was already pioneering outreach programmes to engage non-traditional theatre audiences. Actors Commando – a group of younger company members acting as a ‘human trailer’ for the theatre – performed condensed productions with minimal props and costumes across east London church halls, canteens and factories.

In 1965, this became the campaign Theatregoround, and from 1966 moved to Stratford-upon-Avon, focusing on schools in the West Midlands as well as providing a platform for actors to experiment with different theatre practices.

After years of spearheading Theatregoround, as well as co-founding the radical Women's Street Theatre Group, Goodbody made a convincing case for adding a studio theatre to the RSC in Stratford-upon-Avon. This resulted in the opening The Other Place in 1974. Formerly a rehearsal space, TOP became a corrugated 'tin shed' theatre dedicated to new work and attracting non-traditional audiences.

Goodbody wanted everyone to enjoy Shakespeare and worked relentlessly to create theatre that was inspiring and accessible, fixing ticket prices at 70p and cramming as many theatre-goers onto the bench seating as possible. Read more about the history of The Other Place.

Woman in denim jeans and jacket with straw hat stands on a large tree trunk, against which a young man with open jacket and medalion sits
Rosalind (Eileen Atkins) and Orlando (David Suchet) in Buzz Goodbody's 1973 production of As You Like It at the Royal Shakespeare Theatre
Photo by Joe Cocks Studio Collection © Shakespeare Birthplace Trust Browse and license our images
Ben Kingsley as Hamlet sits next to Bob Peck as the Gravedigger holding a skull
Hamlet (Ben Kingsley) and the Gravedigger (Bob Peck) in Buzz Goodbody's 1975 production of Hamlet
Photo by Joe Cocks Studio Collection © Shakespeare Birthplace Trust Browse and license our images

Her first production at The Other Place was King Lear, but it was her 1975 production of Hamlet that made theatre history. According to critics and audiences at the time, her plain clothes and claustrophobic production truly found the essence of the play. With compelling and believable characters, it was ranked it as one of the most significant interpretations of the century. Read more about Buzz Goodbody’s 1975 Hamlet.

Unfortunately, she never saw the end of this highly acclaimed production, as she died by suicide a few days after the show opened, aged only 28. Today, there is a memorial to Buzz Goodbody in the foyer of The Other Place, which outlines and celebrates her incredible achievements over a life cut tragically short.

The Other Place celebrated its 50th anniversary in 2024, and still honours Goodbody's original vision of a space where new work, new theatre practices and new audiences can come together.

Wall commemorating Buzz Goodbody
Photo by Sara Beaumont © RSC Browse and license our images

BUZZ GOODBODY'S RSC PRODUCTIONS

  • King John, 1970
  • Arden of Faversham, 1970
  • Occupations, 1971
  • The Oz Trial, 1971
  • Coriolanus, 1972
  • Julius Caesar, 1972
  • Antony and Cleopatra, 1972
  • As You Like It, 1973
  • King Lear, 1974
  • Hamlet, 1975